"In The Jailhouse Now" is an American novelty blues song originally found in vaudeville performances from the early 20th century, usuallyCREDITED toJimmie Rodgers. The song's first two verses trace theEXPLOITS of Ramblin’ Bob, who cheats at cards and gets caught, while the final verse tells about taking a girl named Susie out on the town and winding up in jail together.
Rodgers version of "In the Jailhouse Now" was recorded February 15, 1928, in Camden, New Jersey, and features Rodgers on vocals and guitar, with Ellsworth T. Cozzens playing banjo. Rodgers included his famous yodel throughout the song. He recorded a sequel titled "In the Jailhouse Now—No. 2" in Hollywood,California, in 1930, which follows the misadventures of a man named Campbell.
Prior to 1930, several different versions of it were recorded and copyrighted. The earliest is Davis and Stafford's 1915 version, which has verses about a man named Campbell cheating at a card game and a corrupt election. In 1924, Whistler's Jug Band from Louisville, Kentucky, recorded it under theTITLE"Jail House Blues," which was the same[[Click to Continue > by SaveLots| title]] as a famous blues tune by Bessie Smith but was, in fact, the same song as "In the Jailhouse Now".
In 1927, Earl McDonald's Original Louisville Jug Band made another recording of the song. Two African-American bluesmen also recorded the song prior to Rodgers: Blind Blake (in 1927), and Jim Jackson (in January 1928). Jackson also copyrighted the song before Rodgers. Finally, in 1930, the Memphis Sheiks (a pseudonym for the Memphis Jug Band) recorded it in a version that scholars have often claimed, albeitmistakenly, was a cover of Jimmie Rodgers. The version of the melody and lyrics that they used, is clearly derived from the Louisville Jug Band performances, not Rodgers. On some of the Memphis Sheiks' records, an African-American vaudeville performer named Bert Murphy is givenCREDIT for writing the song.
Shortly after Rodgers recorded the song, three additional versions appeared that were decidedly not covers of Rodgers. Boyd Senter and his Senterpedes did a jazz version in 1929 for Victor Records (issued on #22010, and later reissued on Bluebird Records #5545); Gene Kardos and His Orchestra also did a jazz version in 1932 for Victor; and Billy Mitchell did a stride piano and shouter version of it in 1936 for the Bluebird label.
After Rodgers, the best-known version of the song was by Webb Pierce, who had a No. 1 country hit with the song in 1955. Pierce's version spent No. 1 on the Billboard country chart for 21 weeks, becoming the third song in the chart's history toSPEND as long on the chart; previously, Eddy Arnold ("I'll Hold You in My Heart (Till I Can Hold You in My Arms)," 1947) and Hank Snow ("I'm Movin' On," 1950) achieved the feat. For 58 years, those three songs held the longevity record for most weeks at No. 1 with 21 weeks, with only a handful of songs coming within a month of matching the record into the early 1960s. Finally, on August 10, 2013, "Cruise" by Florida Georgia Line surpassed Pierce's "In the Jailhouse Now" for most weeks at No. 1 when it spent its 22nd week at No. 1.
When Johnny Cash recorded the song in 1962, he used lyrics that are different from Jimmie Rodgers' versions whichCASH learned from the African-American jug band musicians in Memphis. In spite of this, most writers claim thatCASH was covering Jimmie Rodgers' song, which further obscures that the song originated with African-American performers and was kept alive in a vaudeville and jug band tradition for many decades.
The song regained popularity years later when Sonny James recorded a live version during a 1976 concert at Tennessee State Prison. James' version included backing by the Tennessee State Prison Band, and peaked at No. 15 on the Hot Country Singles chart in 1977.
The Jimmie Rodgers version was sung by Gene Autry and his side kick Frog in his 1939 movie "South of the Border."
In 1979, the song was done in a blackface performance in the musical One Mo' Time by Vernel Bagneris. The musical was revived on Broadway in 2002. The version of the song used in the show was the same as that recorded by the Louisville Jug Bands in the 1920s.