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Contemporary country singer Martina McBride rose to stardom in the late '90s, starting out with a more traditionalist approach and later moving into more pop-friendly territory. She was born Martina Mariea Schiff in 1966 in Medicine Lodge, KS, and discovered country music through her father, who led a local band called the Schifters. By her teen years, she was singing and playing keyboards with the Schifters, and after high school she gigged around Kansas with several different bands. She married soundman John McBride, and in 1990 the couple moved to Nashville, where John worked for artists like Charlie Daniels and Ricky Van Shelton. Martina, meanwhile, worked as a demo singer and enlisted her husband to produce her demo tape, which got her signed to RCA in 1991. Around the same time, John was hired as Garth Brooks' production manager, which helped land Martina an opening slot on tour with Brooks.
Her debut album, The Time Has Come, was released in 1992, offering a set of songs indebted to traditional honky tonk and progressive-minded country-folk. The pop-inflected 1993 follow-up, The Way That I Am, was her commercial breakthrough, with the lead single "My Baby Loves Me" zooming up the country charts to the number two position. The affecting story-song "Independence Day" became something of a signature number, and another single, "Life #9," also reached the Top Ten.
McBride's 1995 follow-up, Wild Angels, gave her a second Top Five hit in "Safe in the Arms of Love," and its title track became her first-ever number one single. Released in 1997, Evolution became her first Top Ten country album, and the Jim Brickman duet "Valentine" not only went Top Ten, but crossed over to become her first big hit on the adult contemporary charts. Evolution went on to spawn two number two hits ("Happy Girl" thumb|300px|right|Martina McBride - Teenage Daughtersand "Whatever You Say") and two number one hits ("A Broken Wing" and "Wrong Again"), and sold over two million copies, launching McBride into the top rank of country stardom. She issued a Christmas album in late 1998 and returned with a proper follow-up, Emotion, in 1999. Its lead single, "I Love You," hit number one on the country charts and also crossed over to adult contemporary radio, and the follow-ups "Love's the Only House," "There You Are," and "It's My Time" were all successful as well (the first two also reached the Top Ten).
The Greatest Hits compilation released in 2001 was the first McBride album to top the country charts, and sold well enough to make the pop Top Five as well. It contained four new tracks, all of which were eventually released as singles; "Blessed" hit number one, and "When God-Fearin' Women Get the Blues" and "Where Would You Be" both reached the Top Ten. thumb|300px|right|Martina McBride - Anyway
The self-titled Martina from 2003 celebrated womanhood, while Timeless from 2005 was a collection of country classics. Both became Top 10 album hits, the latter reaching number three. Waking Up Laughing appeared in 2007 from RCA Records. The CD/DVD set Live in Concert was issued in 2008, followed by Shine in 2009 from RCA.
McBride left RCA in 2010 to sign with the newly formed Republic Nashville label. Her first single there was "Teenage Daughters," a meditation on parenthood she co-wrote with Brad and Brett Warren. Her first album for Republic Nashville, which she recorded in Atlanta, was with new co-producer Byron Gallimore.
McBride told Country Weekly that she co-wrote eight of the eleven songs on the album; she decided to write more frequently because she felt more confident in her songwriting ability after "Anyway" had become a hit. An album track, "One Time" was released as a promotion for NASCAR with a music video in June 2011. "I'm Gonna Love You Through It" was released as the album's second single on July 25, 2011. The album, titled Eleven, was released on October 11, 2011.thumb|300px|right|Martina McBride - I Just Call You Mine
After two decades in the music business, Martina McBride is starting over. Now signed to Republic Nashville, with new management (Clint Higham of Morris Artists Management), a new co-producer (Byron Gallimore), newly-spotlighted songwriting skills (she penned over half the songs on Eleven, her new CD), and a brand new spirit of accomplishment, Martina is swinging into high gear. And she couldn’t be more thrilled. “It really feels like starting over for me — but with a track record and with the success and experience I’ve had over the years,” she explains. “I feel more mature and more confident, which comes with knowing yourself better. And there are a lot of opportunities now that I haven’t had in a long time.” When her longtime contract with RCA Records expired in 2010, Martina revved up for new challenges ahead. thumb|300px|right|Martina McBride - I'm Gonna Love You Through it“There comes a time when you have to step back and say, I need something different,” she says. “It was a risk, but you have to do what feels right.” After weighing her options, Martina decided to join two year-old Republic Nashville, part of the Big Machine Records family of labels. “We had a couple of offers that were really great,” she notes, “but what really drew me in the end was Scott Borchetta and his reputation. When I met with him and his staff, their enthusiasm and passion for music were so evident — not only for the business but for the music. I really got the feeling that they get up every day and say, ‘Wow! We get to be in the music business!” They have an innovative approach and such positive energy. It's contagious and something I wanted to be a part of.” At the same time, the Big Machine/Republic team was very vocal about wanting to help Martina make a great career record, even if it meant straying from the safety net of her comfort zone. “It wasn’t about ‘OK, let’s sign her and thumb||we’ll continue doing what she’s done before’ or ‘let’s see what happens,’” she explains. “It was, ‘We want you, and we want this to be the biggest record of your career.’ To have that belief and confidence in me and to see a future that’s even bigger than what I’ve had at this stage of my career was really exciting.” The feeling was mutual. Explained Jimmy Harnen, president of Republic Nashville, “Scott and I are big fans of Martina’s. So when we found out she was looking for a new home, we didn’t run after her — we raced after her! An artist of her stature is timeless.” It was Big Machine’s CEO Borchetta who planted the seeds for another Martina first: recording outside Nashville. “When I’m at home, I wear a lot of hats,” she says. “I get to be a musician part time, but I’m a mom first, and I only get to focus on music a few hours every day. I thought Scott showed a lot of insight when he suggested I go somewhere else to record the new CD. It was a respectful way to say, ‘You need to focus on the music if this album is really thumb||important to you.”
With co-producer Byron Gallimore and a seasoned group of Nashville musicians in tow, Martina headed down to Atlanta’s Southern Tracks studio in January of 2011 to begin work on Eleven. The start of the sessions coincided with an ice storm that shut the city down. “There was nothing to do there but make music,” she laughs. “We couldn’t go shopping, we couldn’t go out to eat. Every day we’d slide across the parking lot from the hotel and work in the studio making music all day.” The singer made sure to break the studio time up with trips back to Nashville to see her daughters, but being away from home for several days at a clip let her totally focus on the recording. Perhaps the most significant aspect of Eleven is the fact that Martin herself co-wrote six of the 11 tracks on the album, something she’s especially proud of. In the past, she admits she wasn’t always secure about her songwriting, but this album has brought her newfound confidence. “I love songwriters, and I’m not an artist who thinks I have to write everything I record. But people were encouraging me to write and songwriters seemed to want to write with me, so I just decided to really focus and see what came of it. And because of that, this record shows a lot of different sides of my personality. I think it peels back a layer and let's people see more of my personality, especially the playful and fun side.”
Martina’s co-producer Byron Gallimore can’t say enough about the singer’s craft. “This was our first time in the studio together, and she was amazing. She has perfect pitch, delivers 1000%, and she brought her songwriting in on a level that she’s never done before. People are going to look at this album and go, ‘Wow, she wrote that one? And that one? And THAT one??!”
“Teenage Daughters,” Martina’s debut single for Republic Nashville, was released the week after Country Radio Seminar, and fans immediately recognized Martina’s personal stamp in the lyrics. The viewpoint clearly echoes the highs and lows of being a mom with unpredictable teenage daughters and struck a deep chord with fans of all ages. Her follow-up single, "I’m Gonna Love You Through It,” wasn’t penned by the singer but touched Martina personally the very first time she heard it.
“It’s such a powerful song. The first time I listened to ‘I’m Gonna Love You Through It,’ I was moved by what it says,” Martina explains. “I thought immediately, ‘This song is going to help someone.’ I had the same reaction to it that I did the when I heard ‘Independence Day’ for the first time. Even though I haven’t gone through anything like this with someone close to me, I still feel like people listening to this song will find some hope or the words to say what they’re feeling. When I played this song for my husband John, his first reaction was, “That’s what I would want to say to you.’” The song’s video showcases cancer survivors and their supporters as they courageously live their lives. Among those appearing in the video are singer Sheryl Crow, “Good Morning America” anchor Robin Roberts, “Today” show anchor Hoda Kotb, and well-known television journalist Katie Couric.
As for the superstar herself, she’s frankly exhilarated by the chance to experience what she calls first-time opportunities the second time around. In a career that’s already taken her to breathtaking heights (four CMA Female Vocalist of the Year trophies, three ACM Female Vocalist awards, a GRAMMY win, numerous national magazine covers and features, and appearances on such shows as VH1’s “Divas,” “TODAY Show,” “20/20,” “American Idol” and “Dancing with the Stars”), Martina is ready to take it up a notch with the help of her new label.
On her bucket list: being invited to sing the National Anthem on the Super Bowl and landing a song in a movie so she can perform on the Academy Awards’ annual Oscars telecast. But more than anything, she just wants to continue doing what she’s doing. “"My biggest desire is to keep making records and keep touring,” Martina says with heartfelt passion. “I hope I get to do this for as long as I can, because I love it so much.”